Bellmer,
H. (1939) A Thousand Girls (oil on
board) (Private collection)
"The
shape of a woman emerges from a mass of limbs and organic forms resembling
fruit or vegetables. Her hair is piled on top of her head, and seems to be
composed of pears and pumpkins. The whole arrangement appears to be in danger
of toppling over, but it is pinned in place by the scaffolding-like structure
in the background. The original French title is Mille Filles, which translates literally as A Thousand Girls, but it may also be a pun on the famous French
cake, mille-feuille, which is made up of many layers of pastry. The work makes
a clear allusion to the bizarre paintings of the 16th-century
Italian painter Giuseppe Arcimboldo (1526/27-93, Italy), who composed paintings
of human anatomy out of organic matter such as vegetables and fruit.
Fascinated
by the work of the Surrealists, Bellmer moved from his native Poland to Paris
in 1938 where he became a leading figure in the group. He is best known for his
disturbing, erotically charged constructions made out of the disembodied parts
of children’s dolls."
Phaidon
(1996) The 20th Century Art
Book. London: Phaidon – P38
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